David Hammons's new creation for the 3X3 project will be entitled 2004 Dak'Art Sheep Raffle. For this site-specific, performance-based work, Hammons will raffle off two sheep to the people of Dakar in their neighborhoods in a new site each day. Raffle tickets, written in French and Wolof, the languages spoken in Senegal, will be distributed daily. To advertise this performance-based work, radio spots will air on local stations and billboard advertisements will be posted. The project will be documented with photographs, digital video and recorded sound. 2004 Dak'Art Sheep Raffle presents a criticism and a challenge to the art world, and especially, the global commerce of the art biennale. 2004 Dak'Art Sheep Raffle highlights and draws upon Hammons’s work with the ephemeral as an important aspect of his conceptual art practice and another dimension to his long critique of the fetishization and commodification of the art object. By focusing on process and rituals, rather than the final product, Hammons reenacts the idea of the performative as it is conceived in the context of West Africa and the urban cultures of black America.

MORE ABOUT ARTIST

 

 

 



Maria Magdalena Campos-Pons's new work for Dak'Art 2004, Threads of Memory, will build on Mil maneras para decir adios, a five-screen video installation recently conceived and exhibited at the Henie-Onstad Kunstsenter in Oslo, Norway in 2003. The final work will incorporate new elements conceived as a site-specific installation for a converted textile factory. Dakar constitutes for the artist a site of memory and longing associated with herself, a diasporic Cuban subject of African descent. Five parallel stories of memory, diaspora and displacement will unfold behind intricate polymer mosaic constructions forming a horizontal narrative projected on five screens. The colors of the videos are delivered as a contrast and complement to the vertical blue, amber and purple polymer elements of the installation.

MORE ABOUT ARTIST



Pamela Z will perform An Evening of Works for Voice, Electronics and Video at the Théâtre National Daniel Sorano on the opening night of Dak'Art 2004. The performance will include several excerpts from the following of her past large-scale multimedia works: Parts of Speech, a work about the many facets of human language; Gaijin, a work that explores the concept of foreignness; and Voci, a solo opera for voice processing which explores the artistic, scientific, and cultural worlds of the human voice. Each of these works utilizes solo voice, processing, samples, and video projections. Also part of the program that evening will be a performance segment that will be a partner piece to the new sound installation, Just Dust. Conceived for the historic Maison des esclaves on Goree Island, it will be a six channel audio installation that will run for the duration of the biennale. The sound being used in the piece consists of samples of spoken text in English, French, and Wolof layered with sampled sounds of birds, sheep and people recorded during the artist's first visit to Dakar in December 2003. The Maison des esclaves is an important site of memory for diasporic Africans, marking the infamous 'door of no return,' the symbolic portal through which enslaved Africans forcibly left the continent.

MORE ABOUT ARTIST